But Choi's direction makes this an exciting “sting” film with a visceral punch. Tazza: The High Rollers is based on Huh Young-Mans popular comic book Tazza - about Koreas gambling subculture and its assorted denizen.
#Tazza the high rollers korean movie professional#
Tazza-Korean slang for professional gamblers at the top of their game-is long, somewhat repetitive, and depends on sometimes hard-to-follow flashbacks. Goni must deal with dangerous foes-Agui, a sadistic thug with a grudge against Pyeong, and a slick mobster named Kwak-while also meeting the expectations of the notorious Madam Jeong (Kim Hye Soo), a sultry woman whose expertise at the card table is matched by her dexterity in manipulative self-interest (she becomes irritated when Goni finds a girlfriend his own age). Seung-woo Cho stars as Goni, a callow young fellow who loses both his life's savings and his sister's alimony payments during a crooked game of “hwatu,” roughly translated as the “war of flowers.” Determined to seek revenge, Goni catches the eye of Pyeong (Baek Yun Sik), a retired card master who becomes his mentor. Paraphrasing rule four: "Your friends are not forever, neither are your enemies.Based on a popular Korean comic book set in the world of high-stakes gambling, Choi Dong-hoon's Tazza serves up an epic tale of tense card games, brutal reprisals, chicanery, and double-dealing in every sense. If you do see this, pay attention to the four rules of the master. If gambling and blood fests are your cup of tea, then you should be satiated, otherwise you have been warned. It's no longer a question of winning but one of not losing, of humiliating and debasing your opponent psychologically but, more perversely, physically. Limbs - in the form of fingers, ears and hands - are bet. Mounds of money on the table are insufficient to pump adrenaline into the veins of underworld figures with plenty of blood in their hands.
#Tazza the high rollers korean movie code#
The high rollers culture of illegal gambling filled with trickery and treachery but also with a retributive code of honor is a perfect breeding ground for that kind of violence. It is not the aseptic, blazing-guns style of violence so dear to the American psyche, but the intimate violence of the sharp blade more to the liking of orientals. There is plenty of it, though the gore is contained.
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This is the kind of film whose central premise is that violence is entertaining. Table 9.1 Top 10 grossing movies in 2006 Korean films Nationwide admission Genre 1 The Host 13,019,740 drama 2 Tazza: The High Rollers 6,847,777 drama 3 200. It would help but it is not strictly necessary.
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There is a fair amount of hwatu gambling and it would help to know some about the game, in particular the ability to recognize card faces.
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It is also an environment of strongmen and women with its own violent rules. As Go Ni rises through the ranks, he eventually reaches the rarefied heights of the high rollers, where more money is bet than you can shake a stick at. And there lies the rub, for the small size of the cards allows conjuring professional gamblers to win consistently over innocent suckers. The game is no-limit hwatu, a sort of Korean poker, played with thumb sized cards, any of which easily hidden in the palm of your hand. Go Ni is a young man who gets involved in gambling, first as a perpetual loser, then as an apprentice to a master gambler, and finally as an accomplished high roller that is heavily compromised with its violent milieu. An overarching story does develop eventually even though the particulars pile up like a plate of noodles.
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A scrambled time-line leads to an initial sense of an impressionistic, messy plot that the viewer will have to try to put back together at the end.